Actualizing Plans- My Program on Black Protest Art Comes to Life

January 31, 2016 at 7:48 pm Leave a comment

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Leigh Raiford, Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle, Chapel Hill, NC: University of North Carolina, 2011

These days I’m happily aligning my academic research of visual culture, race, memory, and public space with my museum work and commitment to social justice.

In December 2014 my involvement with the #museumsrespondtoferguson initiative on Twitter encouraged me to brainstorm actions that art museums could institute to engage issues of racial inequities in the U.S. One of my ideas centers on designing programming that highlights the role of visual culture in the African-American liberation struggle. Fortunately this proposal is coming to life. On April 29th along with my colleague Gabriella Svenningsen Omonte, I will co-lead The Art of Black Dissent at Yale University Art Gallery. This program spotlights black protest art in the Gallery’s collection and current images circulating on the streets and via social media platforms in concert with the #BlackLivesMatter movement. For this summer we’re designing a walking tour that features black art and protest sites in New Haven, Connecticut.

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To prepare I’m brushing up on favorite references such as Amy Helene Kirschke’s Art in Crisis: W.E.B. Du Bois and the Struggle for African American Identity and Memory. Additionally, my resources are growing as I’m diving into many other critical resources on graphic arts, photography, the black liberation movement, and studies of New Haven’s local history and grassroots organizing. As our work progresses, I’ll share updates on these projects.
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Entry filed under: Art, Museums, Social Justice, Visual Culture.

This Year and Always – Museums and Social Justice From Planning to Doing: The Art of Black Dissent

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